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I am reading my favourite sort of book, a novel about human life with the natural world as a backdrop. I don’t mean the story of Sid and Mary who have a big garden and chickens, although they could indeed be the humans, providing one of them has a spiritual connection with nature in ways yet to be learned, understood and accepted. This story spans great swathes of time, from 1700 to 2000 and they connect through nature. The trees he (maybe Sid) planted as a young man, he now visits as an ancient wood, alive with stories, bursting into memories each time the trees throw out leaves of laughter for the sun to nourish. Many many suns, many springs, autumns and winters; many land battles never won by the land. Trees felled for no good reason, for Sid and Mary, perhaps, for their big garden, for their chicken run. Inside such a story, I am Alice. I move effortlessly from 1700 to 2000 along with those who make the storyline into a long rope, a connector. The writer makes it easy for me and I get it, so clever a scribe is she. To many this story would invoke a scoff. I don’t do fantasy, he or she might say and it is beyond my ken and my level of patience to attempt an explanation, the one that is so clear to me. It is no fantasy, merely an indication of our undoing. We have forgotten how to listen to the trees, lost the ears for stone stories, turned away from the rhythm of the sea, the cries of the winds, the percussive tap of the rains. But, for those who still want to believe that nature is not ‘out there’ but deep inside every soul, let me tell you this connection is only parked in some dark tunnel, and not lost at all. Nobody knows quite how to reconnect but all anyone has to do is to refuse the worldly chortlemongers and to whisper, I believe. Show me, talk to me, let me know you again.

I am no guru, no wind whisperer, nothing ‘weird’ at all, but simply a child of spirit who cannot and will not accept that nature is just there for us to manipulate and manage, to control and defy, to desecrate and deny. Nature is not about big gardens, nor chicken runs. Nature is a magnificent mother and we all know to our cost that to defy a mother is always dangerous in the long run. It thinks me. Although we humanoids are required to live in our worldly world, we can lose ourselves in the plastic. We can be too busy to study the extraordinariness of a beech tree growing out of a rock. I watched one this afternoon and for some time. I saw how the tiny beech shoot must have pushed into the light and been momentarily blinded, puzzled too, as it came out sideways. The sky should be above me, the ground beneath. That’s what I know, and yet I am slid out like a sardine from a tin and nothing makes sense. Hmmm. Ah, well, I know this too; my branches, once I manage to grow some, will need the light and so somehow I need to turn a corner, employing full belly strength in order to lift upwards. Might take some time, like years, but I am here now and there is no stopping me, even if I don’t make it. (Good attitude, beech).

When I study the belly of this twisted but upright fighter for light, I see the girth. It’s fat and strong but stopped short, telling me that beech baby made a decision once the turn upwards showed more struggle ahead. There are big pines on the bluff above her, already snatching light, ditto another massive beech; Mum, perhaps. So she wisely gave up on trunk height in favour of a three way split, for maximum photosynthesis and at the earliest possible moment. I stepped back a pace or two and smiled and bowed in respect. Survivor! I said out loud because you can say pretty much anything out loud around here and only the trees, stones and birds will hear you. I went on….thank you for calling out to me today. I walk past you every single day, in all weathers and for decades and only now have I heard your voice. Respect.

My two big strong sons leave in a couple of days. I will miss them both and for a long time. I will miss their strength, the way I feel small and safe inside their arms, the way they love me, the way they laugh at my daftness, my fears, my doubts and the way they show me I am stronger than I ever believed and someone they look up to. Well, no not that any more. Either I am shrinking which is probably true, or they grow taller as they fight their intelligent way through the shrieking, demanding, worldly world. But you know what I mean with the looking up to thingy.

We are here for such a short time and for the time we are here, we have a duty to not just our families but to our world, all of it. We can rant and do nothing, fret and wring our hands about the state of it, saying it’s too much. What can I do when there is so much corruption and destruction? I cannot save the rain forests, nor the whales, nor the starving, nor the abuse. And this is true. One person cannot. However one person can speak to someone homeless on the street. One person can recycle, stop buying plastic, pick up rubbish. And, as my African son says, one person can plant one tree.

Last night was an awfully big adventure. Sometimes nights are like that. Short on sleep and long on dreams; dreams that skitter away in the process of waking, so quick as to leave me with the odd snapshot, and a depth of emotion I can’t necessarily fix into a shape.

Whenever I dream there are a couple of venues that consistently provide the backdrop for the drama. One, oddly, is a little corner flat in Glasgow, where I only lived for a short while after Tapselteerie and before moving back to the island. Those dreams are often good ones and I walk through the park or sip coffee in a busy café and there are no obvious lurkings of menace in any shadows.

The other and main venue is Tapselteerie, I know it is, although the stones and layout of it are often wildly wrong. For example, we had a roof over our heads there and walls and floors, the usual household structure, but in dreams, they are often shaky if not completely absent. When I am inside one of these dreams I am always looking for my children, which, for those of you who have read Island Wife, will not be a surprise at all. The stones are grey and cold, the plaster walls missing, and there is often sky overhead instead of a white ceiling.

In these dreams I always have to fly to save them, my children. I always know that I can fly, but each time I must find the courage to do it again. I have sat myself down to think deeper on that search for courage, once the morning comes and strong black coffee brings me in to land. Is it courage to take on the ‘saving’, I ask myself, or is the courage to fly again? And, if I know, as I do, that I can fly, why would I need courage? After all, I don’t need to think twice about walking, running, skipping, now do I?

And I find no answer to that.

One dream took me into the empty ruins of the place, cold it was and abandoned, the grey stone bared, the layout changed beyond my recognition, and yet I knew where I was. I was alone. The crunch of fallen debris under my bare feet echoed around me and I could feel my heart beating fast, hear my quick breathing. Looking up, I could see my children way up high, higher than Tapselteerie high, flattened against the walls, no ground for their feet. Each one was hooked to the wall by their clothing, and they just hung there, making no sound. Much younger and smaller than they are now, they looked like friends of the Artful Dodger, all raggedy and torn and grubby. There were no stairs, no structure, however skeletal, there to allow me to climb. There was only one way up.

I had to fly.

The resistance to just taking off, knowing I could, surprises me every time. It seems, in my remembering, to take a lot of wasted time, dithering about in the ruins of a broken house, when I could be up there gathering children off hooks. But I always do it.

Then, suddenly, I take a deep breath and lift and the feeling it wonderful, the process effortless.

Once, I met Shrattle (Titus Groan by Mervyn Peake), or his lookalike half way up, but he was balanced on a spindly ledge and quite without wings, so no threat to any of us. I lifted each child, light as a feather, off their pegs and into the sky, waking with that glorious light-hearted feeling that always follows flight.

Last night is already leaving me, the memories of the dream, but I do remember one thing. This time it was in colour. Never before has Tapselteerie shown herself in colour, and yet she had bucket loads of it. She gave me walls and ceilings and laughter and spiders and bats in the cellar. If I came down all those stairs, during a sleepless night to make tea, I had to remember to make light, because in the dark I would have ploughed into the huge migration of slugs from somewhere (I never knew where) to the wine cellar. Sometimes a dozen deep and many feet long, the army flowed in silence to wherever they were going. It was a marvel to behold and much less of one to land in the middle of it in bare feet. People said salt will kill them. We said, why would we kill them? We lived with a good number of wild creatures and managed to do so, in the main, without disasters, although the floor in the back hall always needed a wash of a morning.

Dreams I know have symbolism. Mine are often a chorus of many influences. My past, my fears, the book I’m reading, the present circumstances, the last thing I watched on television. Add to that something on my mind, a new truth learned and understood, a forthcoming event and so on. But whatever the graphics, however bizarre and unbelievable the storyline, the emotions of it linger longest, so, to a small degree I can understand what my imagination played out for me and why.

Tapselteerie looked just fine in colour. It may be 20 plus years since I moved inside her walls, heard her song and moved to her rhythm, but she is alive and well and with her own place in my heart.