Rain soft morning, grey enough for the gulls to look like white-light dancers as they cut the sky, wheel, cant, tip and slide, effortless flight like they belong which of course they do. I watch with yearning. They make flight look so easy and their beauty erases the memory of fearsome beaks and stolen chips. I once sat on the harbour wall with chips and within seconds was every gull’s friend. They are massive close up and not very white and sky cutting once their big yellow webbed feet slink closer with a look of black intent in their currant eyes. A sideways step becomes a menace when flanked as I then was and I confess I did elevate my butt, moving it and the rest of me back into the safety of a tourism crowd.
However from my big picture window I can dream. I can watch the spike flight, the lift and luff of not-white currant-eyed, yellow footed gulls become snowy dancers against the grey rain sky and smile. We are miles apart after all and there’s this big picture window keeping me safe from beaks and chip snatchers. I watched the grey and the soft rain all morning, the way it slides my window into smoke, the garden bird colours losing their integrity, becoming a brush stroke flow and return as they flit from feeder to feeder. I sewed a bit, noticing the pinks of this baby girl playmat dulling somewhat. Oh, I thought. These pinks were brighter yesterday. And then I remembered art school. Everything affects everything. On dull grey days in Falkirk (plenty of those) even the primary colours were confounded. We can’t work with this, they said and refused to flow freely from their tubes. The grey weather (is it yellow grey or blue grey?) is sending you, art student, into a dithery looking thing. Concepts, precepts, upsets and greyness are colluding to confine you. It is the real artist who can rise from this, who can utilise whatever is on offer this grey day. I am thankful for those grey Falkirk days. Others might, and did, shake their heads and head for the pub on such grey days. But I wanted to learn, not just how to work with grey days but more, how to walk beside the grey, to have that conversation, and not to turn away. To engage with the grey and to find the colours within, the ask of colour, the beg for it, to take flight.
Life. Yes? It thinks me. Whilst walking beneath the grey soft rain, which I love because rain enhances colour in everything. An upside down electric blue beetle , a feather caught in branches, leaves, speedwell blue, buttery cups, the honey back of a bumble bee, the float and breeze flow of wild grasses, the imprint of horse hooves in sucky mud, even the shine on my jack boots, so much glisten. If I am looking I will see. If I am aware, present, engaged, I will find the art. When I look back on the gull thing, I know that, had I not felt watched by the crowd of tourists, I might well have stayed my ground. I wish I had. I wish I did not give a hoot about being watched. However, I was right in front of an outside cafe and there is only one way to look when the sea beckons and there I was, sat sitting on the harbour wall plus chips. Plus gulls.
In the grey lies endless opportunity. I tell myself that and myself knows it to be the truth. Grey is my life right now, of course it is. When a life goes into grey it has options. Think grey, dive in or flipping don’t. I’m a flipping don’t sort of woman. Even as I flounder and plod, wonder and dither, fill up endless hours with a this or a that, I know that this grey has colours. It isn’t that I must needs grow beyond grey because that says grey is dull and grey is far from dull. To make good grey on an artist’s palette I must bring in rose madder, cadmium red, ultra marine, cadmium yellow, maybe, cobalt, maybe, plenty maybes’ to be honest. Just a touch, just a tiny touch and everything changes. Just like life. I am working with the grey, looking deep into the eyes of it, the currant eyes, and saying, I am not afraid of you. In fact, I like you. Shall we walk together?