We have a January Hooligan blowing around us today. The gusts are enough to throw a girl against things, or people and I am overly aware of the ancient Scots pines behind this old stone cottage, waving, as they are, like parents at a kids sports day, only with the whole trunk falling menace thing, unlike parents. Who knows how deep the roots go? I can see them lifting above the grass, the thin layer of grass covering the rocks, big strong looking roots the width of my arm. All very fine, you might think, solid and fixed and probably so for many decades, but these winds are real hooligans, gusting enough to blow a whole ferry off course and to stir up massive waves in the bit between us and the solid hen of a mainland. Nature is our mistress out here on this brave soldier of a rock and we are more couried in, by a long chalk, than those islands in the Outer Hebrides, the ones where only gannets fly and then with difficulty. Ideas and stories up there in the blast of Nature’s ferocity must struggle to keep in line. Not surprising, is it, that old tales morph and change and become as potent as a drug in the telling and the re-telling. This happened once to someone. Then it happened in perpetuity to a generation and please add the lifeboat and the bagpipes and that wispy maiden ghost who still haunts the basalt and gannet flying shoreline. Add a fishtail and bring in a song and before you know it, Sirens are doing their work. It is as it has always been. Wind, water, wide skies, fickle moonshifts, lonely people and no electricity will stir up a right drama before you know it and nobody can pin it down. As soon as it is written, it changes, it shape shifts, becomes another creature altogether in another set of natural unnaturals.
I watch a silken ribbon of gulls fly through the narrows, away from the rise of what will be a full moon soon enough. Last night, she, the moon was all wonky chops, soft around the edges, not gibbous, wrong time for that, but firming up as she always does for the big show. The clouds are running from the hounds of hell and nowhere in the sky is there peace. The damp patches make swirly patterns of amber across my ceilings and the windows luff and suck their way through the nights. I remember, once, at Tapselteerie, when an old huge window luffed and sucked and blew into the garden in the midst of a dark winter night, leaving us fluttering along with our bedding and ornaments and grabbing the curtains into the wild where they cracked against the frame, heavy with skywater until I cut them free with a kitchen knife. I have no idea where they ended up.
Tonight may send a power cut. These dottery poles stuck into the rock do not grow roots. There are hillsides here that defy any pole affixment. And, yet, affixed they are, like soldiers across a wildscape, confident enough most of the year, barring January, to stand tall, giving buzzards a better view and the chance to realign a confluence of feathers. They are marks for fishermen, for sailors, not that any sailor in his right mind would be out in this. It thinks me.
The gale, just now, shrieking and moaning around the house is in E Minor. Of course, that will change, and I clock every change in key throughout the night. Last night, I barely slept. The key changes awaken me, as does the shift in the wind as she flexes her muscles, happy to be free and loud and in control. A bit like me on the dance floor, which is what she is as she takes over, demands the super trooper light on her alone and makes the most of that limelight. We whispering mortals, all in bed holding our books and pulling the duvet right up tight, are nothing compared to her and she knows it. The gulls knew it, as I watched them ribbon with her, making her beautiful, defining her as she whiplashed by, exuberant and utterly wild. They were not stupid enough to fly against her, not like we do, out on our walk with the dog, pushing into her motherly breast, her fire, her E minor. You cannot, will never, win against a strong mother, and, yet, we try because the paths we can walk are not nature’s paths. They no longer follow ley lines but go where it is convenient for us to manage a covering of ground. When we lived at Tapselteerie, we honoured Ley lines. These are the lines that wild animals walk and have walked for generations. In honouring these ‘walkways’ we didn’t upset the natural balance. New owners came in with fences and I recall gasping out loud as I saw a ley line fenced off. I couldn’t believe my eyes, wanted to scream, to cry out, to say something, but those people would have laughed me out. So, I said nothing. But, one day……..
As I walked the small dog around the fences (to keep out the deer, which nobody can ever do here btw) it was the darkling time. That cusp of still when day gives in to night, but not quite yet. The sky was full of gulls and divers and blackbirds out way too late. I heard a tawny owl cranking up her vocal cords, could see her eyes black bright somewhere inside the woods, sense her hunger. I could feel mice hunker down, sense the exciting tension around me. The little dog wasn’t looking, but I was. A fine young stag startled right beside me, on a bluff. He stopped. I stopped. We looked at each other. Behind him, as my eyes acclimatised, stood four hinds, equally disturbed. Nothing moved, not even the dog, for what felt like a month. Then, suddenly, the fine young stag took off, across the path I challenged and, in doing so, took down the deer fence that blocked the old ley line. His hinds followed and to my amazement the small yappy dog said not one word. She just watched. it was a historic moment, that time when Nature, all wild and fiery eyed said No. And No it was, and is still.
E minor is fine for me, if that is what Nature wants to sing just now. To be honest, I would love to be as flexible in my key shifts as she. All I can do, as a wee wummin is to let my fingers flow over the keyboard, to listen to music long written down by those who had the gift of Natural Connection and who captured what they could when they could, and to love every lift into the wild.