Island Blog – A Beetle, Selkie Song and Kitchen Units

I met a beetle last night in the middle of it. The night, I mean. He was rather spectacular with a long oval back, shiny black, indented white. I was sitting drinking a herbal knockout tea around 2am and he ran along the wainscot, bumping against it every few seconds as if he had forgotten where it was. I hunkered down to watch him and he saw me, rising his pincers at me, his body an oblique accent with waggles. I laughed a guffaw, almost blowing him right back to base, and then apologising as he had to do the whole journey again. So brave, I schmoozed, as he repeated the laborious thing. I wondered where he was headed, and my eyes followed him as I thinked. He likes the dark. I just turned on the sun, well, for him, anyway and he is freaking out. He scuttles, bumps and scuttles again his way to where the old kitchen units don’t meet the ground, a thing that seems legion in old houses build almost 200 years ago and with no thought for foundations nor levelling. At least not in inanimate things. I suspect there was a great deal of levelling going on between sentient beings. As he got closer to that perfect lift of warped unit and sinking floor about 6 spiders scooted down their silken ropes, their legs clutching and flailing. Oh don’t be silly, I said to them. Just look at you all, you skinny little things and look at him, armoured up and with a serious pincer waggle going on. They ignored me as they all pretended they had just popped out for air without any beetle-munch intention, performing a few trapezoid spins and then disappearing back into my units.

I wonder, often actually, about the wildlife inside my units. I have met plenty over the years. A family of slugs, no, a whole township. Spiders of every size and colour. Mice. There have been times, when I felt so compromised and overwhelmed that I might take a deep breath prior to opening a door in search of ordinary dinner plates for an ordinary dinner and been quite prepared to encounter some big predator, one that has grown weary of a spider/slug/mouse diet and is ready for change. It has never happened for real. Not yet. Living in the places I have lived, around horses, cattle, sheep and feral children, anything has always been possible and I am no fool. I am prepared. Have always been. Mostly I don’t mind at all but since the old man is gone, I am requiring myself to learn my own courage. Things can overwhelm even as I know for sure that I was always the bravest. However, being brave beside someone else, a husband, a wife, a child, is so much braver than mere courage for self and alone is a load scarier. My beetle encounter teaches me. I could imagine an infestation of waggling warriors or I could decide to marvel at the extraordinary beauty of both the chance encounter and the creature itself. I am just glad I turned on the ‘sun’ prior to entering the lift and luff of my kitchen, thus avoiding crunching this stunning creature under a careless foot.

Later I walked the Tapselteerie loop. As I rounded the point, the breeze caught my breath, salty, straight from the great wide ocean. I saw Sgeir Mhor rock, peaceful today. A singing came to me. My dog twisted and stopped dead at the sound. The Selkies, I said. No worries. I hear them, I tell her, the seal people singing. It is a beautiful song and we stand awhile to listen. I wander home in a smile. Ah wildlife! The one thing that is a gazillion things. Is that a collective noun? And if I am wild, does that make me a part of wildlife or do I need to grow more legs or feathers, or fur, or fins to join this glorious freedom?

I feather home. Open the mail box, deal with probate, answer emails, remindings of the duality of my life. Wild at times, unwild at others, and yet, and yet, if I am learning anything from my innovative (and feral) children, I am beginning to think that, although I have no plan to scuttle nor waggle, nor, if possible, inhabit the night, I can become conscious of both worlds, of all worlds. Being conscious is not about knowing what the hellikins you do next, but about just being open. Life can feel like boots stuck in mud, can it not? But we don’t have to stay stuck. I am learning and loving the learning even when it scares me. Remember the Selkies, I tell myself. They were there and you couldn’t see them but their song, their perfect pure song reached you and stopped you in your tracks.

I am learning. Curious. And learning again. Now, this is living.

Island Blog 93 – Tapselteerie Dreams

Tapselteerie

 

 

 

 

Last night was an awfully big adventure.  Sometimes nights are like that. Short on sleep and long on dreams; dreams that skitter away in the process of waking, so quick as to leave me with the odd snapshot, and a depth of emotion I can’t necessarily fix into a shape.

Whenever I dream there are a couple of venues that consistently provide the backdrop for the drama.  One, oddly, is a little corner flat in Glasgow, where I only lived for a short while after Tapselteerie and before moving back to the island.  Those dreams are often good ones and I walk through the park or sip coffee in a busy café and there are no obvious lurkings of menace in any shadows.

The other and main venue is Tapselteerie, I know it is, although the stones and layout of it are often wildly wrong.  For example, we had a roof over our heads there and walls and floors, the usual household structure, but in dreams, they are often shaky if not completely absent.  When I am inside one of these dreams I am always looking for my children, which, for those of you who have read Island Wife, will not be a surprise at all.  The stones are grey and cold, the plaster walls missing, and there is often sky overhead instead of a white ceiling.

In these dreams I always have to fly to save them, my children.  I always know that I can fly, but each time I must find the courage to do it again.  I have sat myself down to think deeper on that search for courage, once the morning comes and strong black coffee brings me in to land.  Is it courage to take on the ‘saving’, I ask myself, or is the courage to fly again?  And, if I know, as I do, that I can fly, why would I need courage?  After all, I don’t need to think twice about walking, running, skipping, now do I?

And I find no answer to that.

One dream took me into the empty ruins of the place, cold it was and abandoned, the grey stone bared, the layout changed beyond my recognition, and yet I knew where I was.  I was alone.  The crunch of fallen debris under my bare feet echoed around me and I could feel my heart beating fast, hear my quick breathing.  Looking up, I could see my children way up high, higher than Tapselteerie high, flattened against the walls, no ground for their feet.  Each one was hooked to the wall by their clothing, and they just hung there, making no sound.  Much younger and smaller than they are now, they looked like friends of the Artful Dodger, all raggedy and torn and grubby.  There were no stairs, no structure, however skeletal, there to allow me to climb.  There was only one way up.

I had to fly.

The resistance to just taking off, knowing I could, surprises me every time.  It seems, in my remembering, to take a lot of wasted time, dithering about in the ruins of a broken house, when I could be up there gathering children off hooks.  But I always do it.

Then, suddenly, I take a deep breath and lift and the feeling it wonderful, the process effortless.

Once, I met Shrattle (Titus Groan by Mervyn Peake), or his lookalike half way up, but he was balanced on a spindly ledge and quite without wings, so no threat to any of us.  I lifted each child, light as a feather, off their pegs and into the sky, waking with that glorious light-hearted feeling that always follows flight.

Last night is already leaving me, the memories of the dream, but I do remember one thing.  This time it was in colour.  Never before has Tapselteerie shown herself in colour, and yet she had bucket loads of it.  She gave me walls and ceilings and laughter and spiders and bats in the cellar.  If I came down all those stairs, during a sleepless night to make tea, I had to remember to make light, because in the dark I would have ploughed into the huge migration of slugs from somewhere (I never knew where) to the wine cellar.  Sometimes a dozen deep and many feet long, the army flowed in silence to wherever they were going.  It was a marvel to behold and much less of one to land in the middle of it in bare feet.  People said salt will kill them.  We said, why would we kill them?  We lived with a good number of wild creatures and managed to do so, in the main, without disasters, although the floor in the back hall always needed a wash of a morning.

Dreams I know have symbolism.  Mine are often a chorus of many influences.  My past, my fears, the book I’m reading, the present circumstances, the last thing I watched on television. Add to that something on my mind, a new truth learned and understood, a forthcoming event and so on.  But whatever the graphics, however bizarre and unbelievable the storyline, the emotions of it linger longest, so, to a small degree I can understand what my imagination played out for me and why.

Tapselteerie looked just fine in colour.  It may be 20 plus years since I moved inside her walls, heard her song and moved to her rhythm, but she is alive and well and with her own place in my heart.