I am noticing the words that leap from my mouth sans aforethought. What I am recognising is that we women seem to feel that details are always needed, descriptions the concise and careful constructivation of a picture. This, to men, in my observation, is enough to fall them asleep where they stand, or, if they can internally justify escape, they escape. We allow it without question. It thinks me. If the question is ‘Did Sally actually meet up with Melanie that day?’ A man might respond with a Yes or a No, then sit back in his chair because his job is done. If a woman is asked that question, you are going to know what both women were wearing, what perfume they do or don’t use, the state of their nails, hair, choice of clothing, their lipstick colour, the quality of their home life, the names of all 15 kids, oh, and grandkids, the colour of their hair, teeth, front room curtains etc, their relationship with their neighbours, mother-in-law, where they live, their diet, the colour of their car if they drive one, the weather, and finally coming into land with many opinions on all of the above. Meanwhile the listener has missed the shop, her birthday and is busting for the loo. It seems we can’t help it. In fact, without we women, there would be a minimalistic view of the world. It is raining or not raining. There are sausages or not, for supper. The radio is on or off. The mother-in-law is dead or alive. The people of the world, in short, are naked, mindless and quite without character, sometimes even a name.

However, to be a member of the woman clan can mean she is drowning in words, the need to tell it all a cumbersome weight. Unless she notices and refines her innate need to ‘babble’, she is unlikely to feel silent and deadly and I am keen to learn silent and deadly. But this learning thingy takes considerable mental work and a honed focus on the lips and teeth. It also begs something we women might find tricky, the pause for thought. I was not born with that particular talent but nor was I born with piano fingers. I had to learn and I am curious enough to become a student in wordage. Although it might take me the rest of my days to answer a simple yes or simple no, I do love to refine and hone. Breath is of essential value in this refine and hone palaver. Just one or two slow breaths when someone asks if Sally did actually meet up with Melanie that day can result, not in a simple yes or no because I am a newbie in this study course, but it does give me time to slough off the fact that I know Melanie can barely breathe in those support knickers or that Sally’s secret passion is to work with elephants in South Africa, or that those two women have loathed each other since primary school. All irrelephant. However, it does seem to me that the less I explain, or justify or whatever, the more powerful I feel, not over another but over my own babbling self and I like that feeling a lot.

Saying sorry is another loose lipped load of tiddleypom. Not when there is a definite culpability but all those other times, like when someone bumps into us. There is no sense in that but we do it endlessly, such as stepping into a taxi with a suitcase too heavy, in the rain and without assistance, thus keeping the lazy arse of a taxi driver waiting; asking a waiter for more water in a busy restaurant; changing an order in a bakery when the queue behind us is champing to be served; taking too long to pull out a pound coin or 3 for a bus trip with cold arthritic fingers. I have even watched a woman lift herself from a park bench with a sorry on her lips because she knew a whole family were eyeing that very bench, her own need for the whole of it a nothing much and clearly stating that she is a downright sinner for lowering her butt onto said bench in the first place.

Suspecting, as I do, that in my new land of weirdohood I think a lot more about things that never crossed my mind before, when external demands yelled for immediate attention. I am curious about behaviour, choices, patterns of old and the fractal un-patterns of the new, my creation of self now un-boundaried or even influenced by a.n.other. Sometimes questions arise that might have come from the mouth of a babe, questions deep and wandering as if I am just a little outside of everything I thought was a fact. In fact, I will question facts the most and there is a skip of mischief in my doing so. Someone says something that comes with a backdrop of irrefutable evidence. It’s even printed in a book as words are printed within the dense pages of a dictionary, their definitions set in ancient stone. And that, my friends, is where mischief finds her playground because language is always changing, developing or falling off the edge altogether. Basically I am having fun and at no-one’s expense. I am Mrs Malaprop intentionally and playing with words, turning a verb into a noun or talking like Yoda whilst still communicating the sense of my words. I am only sorry there isn’t an online course on imaginative speaking, on having fun with sentences or of finding new ways to illustrate what I want to say. Perhaps I’ll constructicate one. Sentences have rhythm, a beat, phrasing just like music and there is a wonderful freedom in playing games with what is supposedly the Right Way to Speak. The other good thing about jumbling up sentences is that my mind must be very quick indeed, well ahead in the race with my mouth, and one of the first lessons I wish to mistress is ‘Don’t say ‘sorry’ for every damn thing’. Instead I might say ‘oopsadaisy’ thus immediately bringing flowers into the situation and that is always a good thing.

I guess those diehards will be rolling their eyes at such subversion but taking life and language and a million other challengeable and changeable things too seriously just ends a face up in wrinkles. Laughter and a light touch lift mountains.