Island Blog – Extra the Ordinary

Although I live my life according to the rules, most of the time, my heart and soul are pure Paris. As a girl, as a young woman, I could feel the inconvenient wild in me, this fire blaze that burned no matter how politely I crossed my ankles or demurred to the authority of a man. The confusion of living with the two opposing women inside came with a great deal of trouble, most of it unseen by anyone but me. The trouble was my lack of enough experiential wisdom to accept both the Paris and the Quiet Suburbs and to love them both. How can I, how can anyone, hold two contradictories in one head at the same time? Well, practice, and a lot of self-love. En route to this acceptance brought tantrums, a smouldering silence, spots, ridiculous clothes, lost friendships, poor decisions, all of which came with legacy, one only I was forced to live with and through. Those in ‘authority’ over me called me names; deluded, hysterical, rebellious, ornery, bloody difficult #needsprofessionalhelp, possessed, reckless and so on. I was, in short, impossible and would never fit in. Until one day I overheard my French teacher, whom I adored, saying to my mother #headinhands that I had a lot of the Paris in me. I suspect that was the beginning of my quest, one that has led me over the bumps, into walls, off chasmic edges and on and on to many wonderful places and times.

At this age of ripeness and with a completely marvellous and exciting past, I smile at my journey. Even now I can meet good women of my age who, on recognising the rebel in me, say that they were never wild; that they never felt anything like an incendiary bomb. I always question that. Did you ever fall head over heels in love, I ask, when your whole world is thrown up into the air like a beach ball, and do you remember hoping it would never come down again? I usually get them on that one. Okay they didn’t lock matron in the phone cupboard and go back to bed, nor set fire to the school shed (didn’t burn), nor did they get back home at 10pm, check in with parents and then climb out of the window to rejoin the party. But I did, and that wildness is still here, still within, now honoured and loved, appreciated and respected. Paris is part of me.

I have never been to Paris and may never go there. I call her Paris because of what I have read, since my French teacher said what she said, and I have learned about that city of bohemian rebellion and energy. I will have added my own imagination, naturally, and together we have got me all the way up to this morning in a lively and unpredictable way. Living as I now do inside my own structure of discipline is just where I want to be. I have no desire to travel in order to find myself. Myself is right here with me and we are an excellent team. Rebelling against my own rules of engagement would be foolish. Rebelling against other people’s rules of engagement was exhilarating, terrifying and often self destructive, but I could not have avoided one minute of it. It is in my DNA and that is irrefutable.

My message in all this is to encourage you all to remember who you really are, not to fanny about with who someone else decides you are. This would be like trying to fit politely and tidily into an empty Weetabix box. So don’t. And, if any of this touches you in any way, there is work to be done. We can die with our song unsung or we can take a risk, open our mouths and sing it out, at any age or stage of our lives.

We can make an ordinary life extraordinary just by living half in, half out of the box, our own box.

Island Blog 137 The Light Just Right

Music notes

 

 

I am excitedly working just now on new songs for recording, well,not recording yet, but more for designing and developing.  All day long I am humming little phrases, changing keys, changing words changing rythms.  Once I meet up with the Talented Two in a week or so, we will take my scribbles and mood-inspired poems and fashion music around them.  They, not I, will layer melodies and harmonies, suggest quirky add-ons that create depth and texture, colour and light.  And dark.  All I am required to do is to spend this preparation time doing what I do know how to do – put words together in a way that tells a story, that give a hint of pain or laughter, to show and not to tell it out too much, for we all like to fill in the spaces allowed us with our own feelings.  This is why some songs last forever and, to be honest, a lot of them make very little sense once we try to explain them.  A Whiter Shade of Pale was scribbled down in the back of a van in between gigs, so I am told, and, when asked what it meant, the writers just shrugged.  It’s not like schoolwork this song-writing thing, not at all.  I don’t have to show my workings, nor do I have to justify them, but what I do have to do is sing them with emotional connection as if what I am telling you is really how I feel.  I don’t write songs about Percy the Pig, or Nellie the Elephant, although that song is great to sing to grandchildren if I include all the actions.  I write about feelings.

It thinks me about doing what I do best, and not wishing I was best at something else.  At school I longed to be an athlete but I was so very far from getting beyond ‘ath’ that it would have made a whole heap of sense to do my best, loathe all of it and spend my free time writing.  The problem with writing is that the only time I found the limelight is in English Lit classes and that was providing I kept to the letter of the law concerning Good Composition.  Nowadays, it is fine to write slang, a lot of which has found its way into the Oxford Dictionnary, which is fine if it works for the piece.  It is not ok to swear, but, then, what is swearing now?  I can read words that would have had my school mistress dialling the emergency services had she ever seen such an assemblage of letters in print, let alone heard them read out in class.  The book would have magically disappeared from the Reading Shelf and parents would have been informed.

In songwriting, words can be hinted at, the front or the back of them lost in a rising instrumental.  It’s infuriating for those of us who want to cover a song and we must needs leap to Google for the lyrics, but I am encouraged by the Talented Two that it sometimes really works best that way and that my Elocution Prize might consider staying in my past.  Enunciating every word as if the whole world depended for its survival on my clear conscise rendering of a particular phrase, is, it seems, vanity of vanities.  Who gives a rip?

As I wrote my book, I let go of the Eng Lit teacher, pushed her off my shoulder and reminded her she was most probably dead and should shut up.  Although I love good prose and therefore find bad prose irritating enough to put me off the whole story, I find that I look more for a gentle sway, an easy rise of words that don’t trip me up with their brilliance, but, instead, show me an unfolding about which I am fascinated to know more.  I want to be led outside of myself and into another world and, yet, I still want that pull on my heartstrings, that connection to my own experiences, my own feelings.  When I read the tale of someone who is living through something I hope I will never live through, something that involves the loss of a child, perhaps, I will think about my own children, my love for them, my fears for them, and, in my heart, I will re-affirm my vow to them, the one I made as each one was born, a vow to protect and defend them to the death.  If I read of a world catastrophe, as a back drop to a tale of people, I will re-jig my priorities in that light.  In short, I will make changes because, through the words of another, I am changed.

I hope I can do the same with my songs.  For now, I am playing word games, reducing sentences down, questioning the need for all the adverbs and adjectives to be there at all, for what I can do, through my voice, as long as it is emtionally connected, is to pull back to indicated thoughtfulness, pain, fear, gentleness, or bring the air more forcefully across my vocal chords to show power, anger or determination.  I can leave out the paraphernalia and keep just the crystals……ones that should make it sparkle, if I get the light

just

right.