Island Blog 114 Two Shadows

 

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Well well well – here I sit to tell you that I have done all my Christmas shopping, wrapped it and posted or stored it under the skirts of my easy chairs.  When Sula was alive, that would have been impossible for she would have joined them, cooried in to the crackly nest and torn the cheap skinny wrappings into a gorgeous cosy nest.  I would have heard her, of course, but probably not in time.  I would have grabbed her waggy tail and hauled her out, whence she, astonished and alarmed would have embedded her sharp claws into the soft winciette pajama bottoms or the fine weavings of an expensive cardy, exacerbating the situation skywards and threatening me with spontaneous combustion, for which, at this time of day, there is only one cure. The Chilean syrah.

I am mindful, as I wander into houses where most of the inmates wear very small pants, that their days were mine, once.  The only large-panted members of the Tapselteerie clan, numbering one, (that’s me) were far too sensibly grown-up for such fun, hence the elevated size of pant.  We, or, rather, I, would never have bothered tiptoeing around by torchlight to rustle, as quietly as possible, under any skirts in search of a label with my name written upon’t.  Certainly not.  I was the one, with the megaphone and steel toe-caps, who stalked the dark reaches of the baronial mansion house, in search of rustlers.  Even the island husband could be caught snooping, although, to be honest, he could, quite easily, and did, lose a chainsaw under a sheet of A4, so he was never the leader in this shenanigan.  It seemed to me that everyone worked in secret, as if they didn’t want to be caught by anyone, let alone Miss Trunchbull.  I would find them, red-faced and jabbering with guilt, often in gumboots and hand-me-down jama bottoms, pretending to me, their Trunchbull of a mother, that they were looking for a book to read.  Like I was going to believe THAT!

And yet, a wistful part of me longed to be them.  Being sensible is deathly dull on a good day.  As my pant size changed, it seemed I had to become my clothing.  As a child, pulling on just something to get me down to my cornflakes was all I cared about.  How I looked meant absolutely nothing.  I didn’t consider what would happen if I was cold or if my shoes didn’t go with my outfit.  I didn’t consider my outfit at all.  I just yanked off my nightie and pulled on something a little more robust for my descent into the day.  I don’t recall wondering what I might feel like if the milkman caught me without a good 2″ of slap across my face, or if my jumper might be too warm for the time of year.  I just got dressed.

Admittedly, there were times, many of them, as my pants got bigger, when my mother might smirk at my bonkers assemblage of gold sequinned jumper over hotpants, but it was only her smirk that upset me, not the clothes upon my back. At Tapselteerie I fussed like a hen over my children’s casual attitude to clothing.  Wear a warm jumper out there, I would say, trying to thaw out the collie dog currently frozen to the ground by her girly bits.  She only sat down for a minute.  But they ran out, wild and skimpily clad into the day, into every day, and there were times I hated my job.  My Miss Trunchbull job.  At the shore, they swam in the freezing sea any time of the year, emerging sapphire blue and making wonderful percussion with their teeth.  I couldn’t even catch their jumping knees to rub them dry.  There, I said, now NEXT TIME……….. but next time was just the same as the last and still they laughed at me.  I think they probably still do, because I still do it.  If they had listened to my fears, they would be locked up by now, terrified by the voices in their heads, portenting doom if they so much as open the fridge.

Now, at my big pant age, I think back and I wonder.  What if I had just shut the hell up?  Well, I will never know what the answer to that, and I cannot change the past, but I can make a new future for myself.  I watch them with their own children, letting them fall, letting them burn a finger or two, warning quietly, then letting go.  I watch other people, other nations, like today at Madiba’s memorial service in Jo’burg and I see the wild musical African women, bopping and singing and ululating, and all in very much bigger pants than mine, and I see a new freedom.  I also see the stiff backed British sitting with stiff backs and not letting go at all.  Well, it isn’t British, is it?

There are times, many times, as I find myself in a train station of grownups, or a shop or just walking down a street, when I have the intense desire to spin around, to begin a song and to sing it right through.  Not for an audience to boo or applaud, but just for me.  The other day I went out at dusk in Glasgow, to collect something from a shop.  As I walked back among other grownups, intent on their mission, their Iphone, their deadline, I had this feeling and just spun around, my arms wide.  There was a fingernail moon in a clear cold sky, and, as I walked back feeling very delighted withe myself, and smiling like a loon, I saw two shadows on the pavement.

They were both mine.

Island Blog 93 – Tapselteerie Dreams

Tapselteerie

 

 

 

 

Last night was an awfully big adventure.  Sometimes nights are like that. Short on sleep and long on dreams; dreams that skitter away in the process of waking, so quick as to leave me with the odd snapshot, and a depth of emotion I can’t necessarily fix into a shape.

Whenever I dream there are a couple of venues that consistently provide the backdrop for the drama.  One, oddly, is a little corner flat in Glasgow, where I only lived for a short while after Tapselteerie and before moving back to the island.  Those dreams are often good ones and I walk through the park or sip coffee in a busy café and there are no obvious lurkings of menace in any shadows.

The other and main venue is Tapselteerie, I know it is, although the stones and layout of it are often wildly wrong.  For example, we had a roof over our heads there and walls and floors, the usual household structure, but in dreams, they are often shaky if not completely absent.  When I am inside one of these dreams I am always looking for my children, which, for those of you who have read Island Wife, will not be a surprise at all.  The stones are grey and cold, the plaster walls missing, and there is often sky overhead instead of a white ceiling.

In these dreams I always have to fly to save them, my children.  I always know that I can fly, but each time I must find the courage to do it again.  I have sat myself down to think deeper on that search for courage, once the morning comes and strong black coffee brings me in to land.  Is it courage to take on the ‘saving’, I ask myself, or is the courage to fly again?  And, if I know, as I do, that I can fly, why would I need courage?  After all, I don’t need to think twice about walking, running, skipping, now do I?

And I find no answer to that.

One dream took me into the empty ruins of the place, cold it was and abandoned, the grey stone bared, the layout changed beyond my recognition, and yet I knew where I was.  I was alone.  The crunch of fallen debris under my bare feet echoed around me and I could feel my heart beating fast, hear my quick breathing.  Looking up, I could see my children way up high, higher than Tapselteerie high, flattened against the walls, no ground for their feet.  Each one was hooked to the wall by their clothing, and they just hung there, making no sound.  Much younger and smaller than they are now, they looked like friends of the Artful Dodger, all raggedy and torn and grubby.  There were no stairs, no structure, however skeletal, there to allow me to climb.  There was only one way up.

I had to fly.

The resistance to just taking off, knowing I could, surprises me every time.  It seems, in my remembering, to take a lot of wasted time, dithering about in the ruins of a broken house, when I could be up there gathering children off hooks.  But I always do it.

Then, suddenly, I take a deep breath and lift and the feeling it wonderful, the process effortless.

Once, I met Shrattle (Titus Groan by Mervyn Peake), or his lookalike half way up, but he was balanced on a spindly ledge and quite without wings, so no threat to any of us.  I lifted each child, light as a feather, off their pegs and into the sky, waking with that glorious light-hearted feeling that always follows flight.

Last night is already leaving me, the memories of the dream, but I do remember one thing.  This time it was in colour.  Never before has Tapselteerie shown herself in colour, and yet she had bucket loads of it.  She gave me walls and ceilings and laughter and spiders and bats in the cellar.  If I came down all those stairs, during a sleepless night to make tea, I had to remember to make light, because in the dark I would have ploughed into the huge migration of slugs from somewhere (I never knew where) to the wine cellar.  Sometimes a dozen deep and many feet long, the army flowed in silence to wherever they were going.  It was a marvel to behold and much less of one to land in the middle of it in bare feet.  People said salt will kill them.  We said, why would we kill them?  We lived with a good number of wild creatures and managed to do so, in the main, without disasters, although the floor in the back hall always needed a wash of a morning.

Dreams I know have symbolism.  Mine are often a chorus of many influences.  My past, my fears, the book I’m reading, the present circumstances, the last thing I watched on television. Add to that something on my mind, a new truth learned and understood, a forthcoming event and so on.  But whatever the graphics, however bizarre and unbelievable the storyline, the emotions of it linger longest, so, to a small degree I can understand what my imagination played out for me and why.

Tapselteerie looked just fine in colour.  It may be 20 plus years since I moved inside her walls, heard her song and moved to her rhythm, but she is alive and well and with her own place in my heart.