Island Blog – Daynight

The clouds are pink. So are the hills, the trunks of the hazels, the rocks and the sea-loch. It is 4.45 am and everything is pink. I am also pink, according to the mirror reflection and my face needs ironing. This is due to the crumpulation of pillow, duvet and face, conjoined in a less than harmonious trio. We obviously fell out at some point during the night, fought each other until we ran out of oomph, and then collapsed, like all menage a trois do in the end.

The house creaks. The floorboards creak. My knees creak. We are all coming to life, beginning to breathe in a new morning, taking in the pink, leaving the night behind, letting it go. Sometimes I am delighted to let go, sometimes I wonder if being awake most of the night makes it day and not night. Perhaps there is an in-between, like a no mans land, a wild place that has no name, as yet unlabelled. I can give it plenty names, however and not all of them polite, but in deference to social rectitude I shall name it Daynight.

Although it may sound terribly awful spending a deal of the dark hours awake, I am well used to it and find myself able to recover quick quick during the hours of light. Just a 30 minute catchup snooze can lift me right back into a Tigger bounce. It thinks me. Have I devised a splendid plan of action, a modus operandi, one that will always lead me into what may sound like a child’s story, or am I a natural bouncer? Did I learn myself this attitude or was I born with it? Ho, I say and Hum. I don’t have an answer but, for the record, I am very happy with my bounce, even if my knees do creak nowadays. And, even if I did come up with an answer, what would it matter and who would care?

I watch the pink clouds. There is Robin Hood with a huge snake in his grip. Here is the Rockbiter and over there, oh look, it’s Noddy’s car, complete with horn. If I called you over, it would be too late to see what I see. Clouds are like that. Shape shifters, game players, always moving on like night, like day, like everything. Even if I grabbed my camera, it would be over, the cloud show and they would just look like pink clouds. It seemed important, back then, back when I didn’t understand that the whole point of anything is that it changes every minute; people, time, clouds, weather, happenings, all change. The key is to just look, to watch, to stand quite still and let the eyes have it. And with every look, watch, stand still thingy we change because we have experienced something new, something that will never come again, not in this way. A kindness given, a word of support, a smile, a wave; the way rain falls on a window, the swing of a feather falling, a catch of rainbow light, the scoot of a rabbit, distant laughter. A pink sunrise may come every morning, but it will never be the same twice, like zebra stripes and snow flakes, every one unique.

Like you and like me.

Island Blog – Composing History

This morning, around 4 am, the chaos awakened me. I cannot call it a dawn chorus because, by definition, a chorus is a group of musicalities singing, or playing the same melody with sensitively selected harmonies plus the odd discord for salt. This gradually escalating cacophony smacks more of jazz, country, classical and pop all playing at the same time and yet, bizarrely, it is far from discordant. It flows in a glory of counterbalance through the open window telling me the day is rising and so should I because light is my thing and this music is the most uplifting I could ever wish for. Wherever we live, birdsong is a daily gift, whether it be given to us on the island, in a flat in Glasgow, on the coast of Spain or in Crinkly Bottom, Englandshire. And it is free, no need to download an app nor pay a monthly sub. We cannot see the music, but we can see the musicians, if we let our eyes roam the landscape. They are free, wild, not in lockdown, not separated from loved ones, and they can do so much to uplift a flagging spirit.

I come downstairs, make tea and go check on the moon. I know she is there, could almost hear her and most definitely saw her light seeping through a crack in the curtains. She is gibbous, pregnant with a burgeoning rounded bump, about to give birth to fulness. The tide is waiting, I see her, sitting there, flat and rising as the undertow pushes more sea beneath her bulk, swelling her until she will reach her full height on May 7th. Gulls shriek above her, their sharp eyes following the fish just below the seafoam, occasionally to dive, with no grace whatsoever, thus erupting the surface into splash and bother. Greenfinches bounce along my fence, Goldfinches flit like butterflies across the field and a lone heron, yelling abuse as always, flaps over the narrows heading for the sea.

All of this looking and seeing thinks me. Of us, of all of us, all people, all colours, shapes and sizes. We are a chorus of humanoids, no matter what melody we choose, and in singing together we have the same power to uplift a flagging spirit. I know that in this crazy-bonkers time we cannot meet each other to compare notes, and all of us are changing, will be forever changed by this. There is a new score being crafted, new melodies unfolding, twisted and turned by capricious tides, pushed along by a strong undertow, powerful as the pull of the moon. 2020 will never forget what happened, what is still happening. And, there will be stories, millions of stories, myriad hearts speaking out, singing out and the chorus of these songs and stories will be remembered and resurrected long after we go back to dust. How remarkable to be living in this time! This period in history will be taught and learned in schools for generations to come. And we were there, we are there, we are here, living it, seeing it. This is our time. May we take it all in, really look and really see everything, employing all our senses in order to round the story gibbous, pregnant, like the moon, ready to give birth to a brand new world.