Island Blog – Feeling the Bones

As I walk beneath the coppering beech trees, the bare bones of ancient larch, the garnets of gold on this tree and that, like halos, I become suddenly aware of my body. Paying attention to this I can feel each muscle ripple and stretch, contract and stretch again as my legs take me down the track. In my mind’s eye I see my bones, my skeleton and it makes me laugh out loud. I think, What if someone saw me like this? All flowing frock and skinny bones. I hear the creak and grind of ball and socket, the constant movement deep inside my skin, my protecting armour. I think of all that movement, that silent and secret life of very important organs and other bits of gloopy squidge that mean the bones can keep me going. I stretch my bare toes inside my furry boots, consider each one and its unique purpose. I feel the stones beneath my rubber soles and notice how that foot, those toes, work together without me doing anything conscious at all. One toe less and I would be wonky chops for as long as it took my brain to catch up, to readjust, to set me level once more. I flex my fingers, the only part of me not moving, as they hang limp inside my warm fingerless mittens. They curl in repose and are colder than any other part of me. I lift one hand to my face and study those gnarled old digits which have worked hard and for many many years at all sorts of different things. These bumpy looking sticky-out appendages can play soft and soothing piano. They have held newborns and adults in times of joy and times of grief. They have obediently frocked me up of a morning and then deconstructed me at bedtime. They have made tea, dinners and beds. This finger has pointed. Often. In anger, at an astonishing sight, at the openly merry mouth of a welcoming cafe in a rainstorm. This thumb has pressed, eased and held down string for knotting. So many important actions I simply took for granted.

Moving on through the canopy of beech and alder, hazel scrub and ancient pines I notice a newly dead pine, tall as a building and now naked as a skeleton. A peppering of holes tells me of woodpeckers and unfortunate bugs. The spine is almost white, all sung out now and suggesting firewood. The tide flows noisily out followed by a shriek and cackle of gulls, snow-white against the smoky grey of a raincloud. Earlier I had watched 3 otters fishing in the sea-loch, when the tide had stopped to draw breath before turning back to Mother Atlantic. Flat water. Otters like flat water, I have noticed. I suspect it is a more peaceable hunt for them.

Still aware of my body moving, still feeling and noticing, I realise I haven’t done this before, not quite like this. I didn’t set out to notice. The ‘notice’ just came as if something had changed outside of me drawing my attention. Staying with the moment and allowing it to take control I consider what this body, this mind, this vital combination has achieved through life and what it is achieving now. Perhaps as we age we grow more aware of such things, whereas in youth we just expect everything to work without question. Perhaps. Does it matter? No, it does not. What matters is simply that I respond to the gentle nudge of awareness and that I engage with it.

I am happy to report that the walkers I did meet on the track were not horrified by a skeleton in a frock and furry boots and I am glad of it. This special and powerful invitation for an inner dance was for me. Just me.

Island Blog – Poppies, Tides and Hugs

There is something deep about a hug. Like an ocean flowing over, through and around you. It won’t drown you because you can breathe underwater. Enveloped inside big strong arms, feeling the pressure of warm fingers, the familiar smell of home. I am home. You are here. You and I are, for the length of this hug, as one body. My love flows to you as your love flows to me, right down to my very core, fizzing along my capillaries and through my muscles and over my skin like the first sip of champagne. When we part, the tide has turned. From slack water to ebb or flow. Birds lift in anticipation, fish swirl in the depths, sensing a change; seaweed flutters in confusion. Which way now?

After months of slack water, these son-hugs turned the tide. Tall, strapping men, fit and healthy, warm and soft, gifting love and support, hugging. They have to bend down a bit for a hug with me and even further down to hug their wheel-chariot dad, but they can flex and stretch, rise up again effortlessly, as once we did. Buried in their chests I breathe them in, remembering. Not so long ago they dandled on my knee, fed from me, squealed their delight, screamed their anger and now look at them, fathers themselves with knees for dandling their own little ones. How fast life travels, how fragile it is and yet how strong. How long is a life? There is no answer to that. What matters, it seems to me, is what we learn during that life through observation, sail correction, through the anger and the joy, the near drowning.

Moving through a morning of poppies, I feel the inner shift. Tomorrow, if the wind rises, these crimson wide-open petals may be ripped and stripped. I saw them as buds at 6 am. By 7.30 they showed me a cadmium red mandala. By 8 they were face-up to the sky, black mouthed, anticipating insects, their petals combing the breeze like silk. To seize the day, the moment of lift, as they do, teaches me. To show me life is beautiful, fragile as poppy petals, strong as sons, and, most of all, to be truly lived, no matter how long or short. No matter at all.

Island Blog – Composing History

This morning, around 4 am, the chaos awakened me. I cannot call it a dawn chorus because, by definition, a chorus is a group of musicalities singing, or playing the same melody with sensitively selected harmonies plus the odd discord for salt. This gradually escalating cacophony smacks more of jazz, country, classical and pop all playing at the same time and yet, bizarrely, it is far from discordant. It flows in a glory of counterbalance through the open window telling me the day is rising and so should I because light is my thing and this music is the most uplifting I could ever wish for. Wherever we live, birdsong is a daily gift, whether it be given to us on the island, in a flat in Glasgow, on the coast of Spain or in Crinkly Bottom, Englandshire. And it is free, no need to download an app nor pay a monthly sub. We cannot see the music, but we can see the musicians, if we let our eyes roam the landscape. They are free, wild, not in lockdown, not separated from loved ones, and they can do so much to uplift a flagging spirit.

I come downstairs, make tea and go check on the moon. I know she is there, could almost hear her and most definitely saw her light seeping through a crack in the curtains. She is gibbous, pregnant with a burgeoning rounded bump, about to give birth to fulness. The tide is waiting, I see her, sitting there, flat and rising as the undertow pushes more sea beneath her bulk, swelling her until she will reach her full height on May 7th. Gulls shriek above her, their sharp eyes following the fish just below the seafoam, occasionally to dive, with no grace whatsoever, thus erupting the surface into splash and bother. Greenfinches bounce along my fence, Goldfinches flit like butterflies across the field and a lone heron, yelling abuse as always, flaps over the narrows heading for the sea.

All of this looking and seeing thinks me. Of us, of all of us, all people, all colours, shapes and sizes. We are a chorus of humanoids, no matter what melody we choose, and in singing together we have the same power to uplift a flagging spirit. I know that in this crazy-bonkers time we cannot meet each other to compare notes, and all of us are changing, will be forever changed by this. There is a new score being crafted, new melodies unfolding, twisted and turned by capricious tides, pushed along by a strong undertow, powerful as the pull of the moon. 2020 will never forget what happened, what is still happening. And, there will be stories, millions of stories, myriad hearts speaking out, singing out and the chorus of these songs and stories will be remembered and resurrected long after we go back to dust. How remarkable to be living in this time! This period in history will be taught and learned in schools for generations to come. And we were there, we are there, we are here, living it, seeing it. This is our time. May we take it all in, really look and really see everything, employing all our senses in order to round the story gibbous, pregnant, like the moon, ready to give birth to a brand new world.